Klaire Smith

A R T I S T S T A T E M E N T

Oh, Appalachia explores the possibilities of mark-making through woodcut printing while engaging with the broader narrative of Appalachia and its people. Deeply influenced by folk art and the unvarnished resilience of the region, I approach printmaking and collaboration as tools to reflect the beauty and contradictions of Appalachia—a place where breathtaking landscapes often stand in stark contrast to challenging social realities. By creating work that is both authentic and accessible, I aim to connect with audiences both within and beyond this vibrant yet often misunderstood part of the country.

It wasn’t until I left Appalachia that I began to feel a profound connection to it. Growing up, the region felt more like a constraint than a source of identity. Yet, moving away revealed how deeply intertwined my sense of self was with the place I call home. This evolving body of work delves into the social and cultural complexities of Appalachia—a diverse and magnetic region that defies simplistic stereotypes. While its people are far from homogeneous, Appalachians are frequently reduced to “hillbilly” caricatures and dismissed as uneducated or backward. From prejudices against our accents to the neglect of systemic issues like human trafficking, the region has long battled for a deeper understanding and recognition.

Through my art, I hope to invite viewers to look beyond the surface, to uncover the rich stories embedded within Appalachia’s hills and hollows. My work aspires to challenge assumptions, spark curiosity, and celebrate the dignity and resilience of this land and its people.